2 edition of Sensuality and power in visual culture found in the catalog.
Sensuality and power in visual culture
2002 by Institionen för moderna spräk, Umeå universitet in Umeå .
Written in English
Includes bibliographical references (p. 249-250).
|Statement||edited by Raoul J. Granqvist.|
|Series||Skrifter från moderna språk,, 4|
|Contributions||Granqvist, Raoul, 1940-|
|LC Classifications||HM500 .S45 2002|
|The Physical Object|
|Pagination||253 p. :|
|Number of Pages||253|
|LC Control Number||2003504384|
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It is also concerned with the socio-historical and colonial realm of visual experiences, from discussions of the power relations in portrait making (ingress, Madame de Senonnes), photography (Strömholm's photos of transsexuals), fashion companies (Sisley) Sensuality and power in visual culture book colonial iconography in South African autobiographies.
Sensuality and power in visual culture. [Raoul Granqvist;] Home. WorldCat Sensuality and power in visual culture book About WorldCat Help. Search. Search for Library Items Search for Lists Search for Book: All Authors / Contributors: Raoul Granqvist. Find more information about: ISBN:.
The present collection of essays sits in a broad 'cultural studies' cum 'visual studies' field of topical interest connecting the visual with a whole range of disciplines: art history, literary and historical analysis, aesthetic.
Sensuality and Power in Visual Culture. Simple search Advanced search - Research publications Advanced search - Student theses Statistics (print) OAI: oai::umu DiVA, id: diva Available from: Created: Last updated: Bibliographically approved. Open Access in.
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social realism, for instance in his book Vännerna från Place Blanche (The Friends from the Place Blanche). His images of the transsexuals of the Place Blanche in Paris have become an established prototype in Swedish documentary photography, playing an important role in the discourse on sexual politics in recent decades.
Thus a social. This book is about the expanding realm of visual culture: in architecture, art, design, advertising, photography, film, television, video, theatre performance, computer imagery and virtual reality. It is also about Visual Culture Studies, a relatively new academic discipline, or rather range of disciplines, that scholars employ to analyse visual artefacts.5/5(2).
Eck does a beautiful job explaining the integration of sight, sensuality, belief and devotion in Indian art and culture. This short book is the perfect foil for a comparative look at ways of seeing. I especially love pairing this book with readings on linear perspective as a way to discuss the nature and power of seeing in different cultural contexts/5.
Visual culture, or visual studies, or visual culture studies, is an academic movement that has coalesced over the last thirty or so years, as the product of an increased self- consciousness about, and belief in, the importance of sight and its correlatives (the visual, vision, visuality) in the workings of g: power.
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This invites a deeper knowledge and familiarity with the power. The result is a highly readable, deeply informed and richly illuminating book." David Morgan, Duke University "Visual Culture ranges across diverse disciplines and entertains multiple-sometimes opposing-perspectives on its subject.
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Visual culture is the aspect of culture expressed in visual images. Many academic fields study this subject, including cultural studies, art history, critical theory, philosophy, media studies, Deaf Studies and anthropology.
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